Medieval Theater
Notes on discipline ' ' Interpretao and Direo' '. The presence of the actor in the Greek Theater is devoid of a full identification on the part of the auditorium. The reason for such is the immense distance enters the place of the scene and the auditorium that appeared in one I number that it was counted to the thousands. This distance is one of the reasons of the use of great masks, shoes with platforms to increase the size of the actor, being that the same it still needed to have a good one harnesses vocal. Some historians count that Sfocles did not follow the career of actor for guilt of a vocal difficulty. This type of performance, where the personage dominates the actor total, we have dipo, for example, that in the final scene he does not pierce the eyes in the front of the auditorium, in a dramatical performance and yes exchange of masks in the embroidery frames. Moreover, it is important to cite the paper of the choir that of a general form is determinative inside of a scene. In this teatral form ' ' rubrica' ' she is very little used, making with that the situations are always gifts in speak of actors.
The Medieval Theater happens mainly in Passover to represent religious subjects (catholics), and as this type of representation happens in the forecourt, that is close to the main door, and, therefore it are of the church, as well as the Greek Theater, happens in public place. The medieval parts can be divided in three types, namely, Mystery (histories of the bible), Histories of the lives Dos Santos and Moralidades. At this time, the parts were made by religious corporations, the scenes were mounted in stands and searched to always call the attention through maquinrios that could work with the fire or the water, searching the action as central point.
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